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| Cleve West's winning design for Chelsea Flower Show |
Each New Year, the internet is abuzz with it the inevitable horde of prophets and trend-watchers, confidently predicting the themes of the year. Of course, there is absolutely no accountability for these supposed experts because once the buzz of the New Year fades, the predictions are forgotten. I may be one of the few people on the planet who actually loves New Year prognostications. Finding meta-themes from the sea of quotidian activities appeals to my philosophic bent; for me, it is a puzzle game: I love the thrill of finding a pattern among scattered pieces.
So it is with great delight that I present to you my attempt at New Year trend-spotting. This year, my trends focus on trends in garden design (it’s best to stick to what I know, right?). For the last few weeks, I have spent time contemplating great gardens designed in the last year. What was it about these spaces that captured the zeitgeist? What about them moved me? What aspects of them will likely be replicated?
1. The New Romanticism: Garden design in 2012 will mark a return to romanticism. For the last decade, the focus on sustainable gardens has brought a decidedly rationalistic overlay to garden design. After all, the focus on sustainable techniques such as stormwater, native species, and xeriscaping has emphasized scientific and ecological processes. In addition, modernism has been a big theme in garden design over the last decade, bringing with it a focus on functionalistic design. While I expect sustainable and modernistic designs to continue, new gardens will be less cerebral and more emotional and spiritual bent. Expect to see a revival of all sorts of old, classical garden styles such as cottage gardening, French and Italian formal gardens, and even medieval gardens updated with a modern twist. Romanticism is all about nostalgia, escape, and the rich world of the imagination, ideas that are powerfully effective during times of transition. Expect to see gardens that explore fantasy, whimsy, and spontaneity within a framework of familiar garden forms.
Cleve West’s winning design for The Daily Telegraph Garden at last year’s Chelsea Flower Show is a perfect example of neo-romanticism. His sunken garden used terra-cotta columns that evoked Roman ruins. His plantings were both modern and old-world as he relied on a palette of self-seeding plants that emphasize change. The rich overlay of classical ruins in this strongly contemporary garden hinted at a world beyond, a lost history that provides a moment of escape and fantasy that make the garden delightful.
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| Left, design by Wirtz International; Center, Piet Oudolf's wave hedges; Right, Tom Stuart-Smith |
